12:28:01 UTC
Rizky Farrel Fernando // Xenators
Music Producer
Hey, I'm Farrel, I'm 22, and go by the stage name Xenators, a bedroom producer, and a ghost producer based in Indonesia, started learning digital music production and DAW workflows in 2018, building experience in composition, arrangement, and audio production before transitioning into complete track production and freelance ghost production work in 2020. And have making over 80+ tracks with various genres
Genres Speciality
Focused on commercially oriented EDM production across multiple electronic subgenres including Future Bass, Progressive House, Melodic Dubstep, Bass House, Drum & Bass, Hardstyle, Trap, and festival-oriented dance music, with additional production experience in Pop, Hip-Hop, and Organic / Orchestral arrangements.
Ghost Produced Tracks
Since beginning freelance ghost production work in 2020, I have produced commercially oriented tracks for independent clients and online marketplaces, specializing in arrangement, production, stream worthy track and final audio delivery.
Afro House
Bass house
bigroom techno
dubstep
drum and bass
future bass
future rave
hardstyle
Indobounce
melodic dubstep
phonk
progressive house
trap/hiphop
Campus Event Music Producer
Served as music producer for multiple campus-based performances and creative productions, creating opening themes, anthems, jingles, and promotional soundtrack, managing end-to-end audio production processes from arrangement and reference-track analysis to vocal directing, recording, mixing, and final mastering.
Worked closely with performers and organizers to ensure production quality, artistic consistency, and deadline-oriented delivery.
Official Anthem PPLK 2022
Produced thematic music and audio material for new student orientation events, Program Pengenalan Lingkungan Kampus (PPLK), designed to support event identity, audience engagement, and large-scale live presentations through energetic and emotionally driven production direction. Using "Good Things Fall Apart - ILLENIUM" as main reference, and implementing traditional instruments (Gamelan) to embrace the Indonesian Culture.
Worked closely with performers and organizers to ensure production quality, artistic consistency, and deadline-oriented delivery.
Official Jingle Duta itera 2022
Produced and arranged a rearrangement jingle for a campus pageant event, overseeing composition, sound direction, mixing, and mastering to create a memorable and brand-oriented audio identity for promotional and live-event use. Using "Save Your Tears and Blinding Light from The Weeknd" as main reference, adding folk songs to embrace the local culture even more.
Official Jingle Duta itera 2023
The rearrangement of the previous year of Jingle Duta ITERA 2022, now with complete overhaul, going for the orchestral and more organic way, to further captivating the feel of elegance of the event. Using "Wonder - Shawn Mendes" as main reference shifting the musical direction toward a more organic and orchestral inspired sound. Focused on enhancing emotional impact and stage atmosphere through layered instrumentation, cinematic progression, and refined arrangement development while maintaining the recognizable identity of the original theme, and using a whole new folks song to make it a whole new experience and keep the local culture known.
MARS HMTA BALAKOSA ITERA
Handled end-to-end production of an organizational anthem (Mars) for a student major association, including composition, arrangement, instrumentation, mixing, and mastering tailored for formal institutional and live-event use.
OFFICIAL JINGLE IIBFE 2024
Produced and arranged an original jingle for a campus business event, went for more easy listening vibes, matching with the light theme of the event
Official anthem pplk itera 2024
The rearrangement of the previous PPLK Anthem, following the absence of PPLK 2024, this one serves as my last ride for the event, also marks the 5th year anniversary of the event, and went all out and went more energetic vibes, implementing more grounded like band vibes, and implementing rap section with Sumatran local languages to further embrace the culture and tradition. Closing it with epic guitar and violin at the end marking my end of this journey. This one also become the most viewed PPLK Anthem to date.
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